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Crossroads Contest Winners Announced!

Eastern Shore Writers Association is pleased to announce the winners of our annual Crossroads poetry and micro fiction contest!  Our congratulations to this year's winners!


To watch the finalist reading and announcement of contest winners in its entirety, which took place on July 25th, CLICK HERE

All three winning entries will be featured in this year's Bay to Ocean Journal, scheduled to launch this December!  We've also asked all three writers to read their winning work at the 28th annual Bay to Ocean Writers Conference which will take place on Saturday, March 8th at Chesapeake College in Wye Mills Maryland.  Proposals for the conference remain open through August 10th.  To submit your proposal, click here.

2024 WINNERS

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THIRD PLACE
Katherine Gekker

$25 and publication in the Bay to Ocean Journal
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The Day I Fell in Love 3 Times on the Metro   

1. On the Orange Line. Packed Train. 

A handsome man (navy-blue blazer, lapels hand-stitched) offered me his seat, the one reserved for seniors. Thanking him, I sat down, certain that this chivalrous man hadn't meant to insult me. Perhaps I felt self-conscious — the previous night's Zoom revealing brand new wrinkles on my neck. I put on my reading glasses, opened my book. He leaned against the clear partition separating us & from my side, I propped against it too, & we leaned into each other through 1/8” thick plastic.

2. On The Red Line

Trying to focus, read another chapter in Writing Poems, but too distracted by the Adonis standing near me. He was absorbed in his book, Wendell Berry's This Day. He wore a wedding ring. Stowed in his backpack, an umbrella with a wooden handle. Probably his wife had told him he better take it because AccuWeather predicted a 3% chance of rain, & he wore suede desert 

boots, so his feet looked like they were loaves of bread, perfectly browned, without a shiny glaze.

3. On Dupont Circle Escalator

Still smiling about Adonis, I was thinking of Whitman's "The Wound Dresser," its lines carved into granite at the Metro entrance — thus in silence in dreams' projections.

On the down escalator, light from the station's entrance framed a young woman, her dark hair clipped short on one side, bleached & spiked on the other, an edgy look I would have loved to try if I were still young. She beamed at me as we were passing each other, said — You should give blood. Everybody should. I just did.

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Katherine Gekker is the author of In Search of Warm Breathing Things (Glass Lyre Press). Her poems have appeared in numerous journals, including CALYX (forthcoming) and Rappahannock Review. She serves as Assistant Poetry Editor for Delmarva Review. Two collections of Gekker’s poems have been set to music by composers Eric Ewazen and Carson Cooman. Gekker was born in Washington, DC. She founded a commercial printing company in 1974 and sold it 31 years later.

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SECOND PLACE
Jennifer Keith

$50 and publication in the Bay to Ocean Journal
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Rom Com

You reach a certain age when you know
the difference between a play bark and a warning bark
even when you don’t have dogs.

At about this same time, you realize why
you’ve always hated the films about adorable people
and a universe that yearns

to promote them to the nuptial industrial complex
of sudden, final happy endings that have nothing and everything
to do with strip center glass massageries.

If you watch one more young woman puff
her hair out of her eyes with exasperation,
you will become an arsonist with extreme prejudice,

torching the little bakery, the precious bookstore,
the darling cafe, the sweet, white gazebo
and snow-frosted holiday inn

but leaving this stand, untouched: a tiny diner
with grease-lacquered walls where the cook
leans over his partition with tragic eyes

and informs me the waffle iron has a short
and he cannot make it work. By this time,
alternatives are fine — I say yes to pancakes

and yes to the chance of forgiveness
that I begged you to ask for and you did
and I said yes, your words in a box of robin’s egg blue.

Bring up the music in the soundtrack, whether incidental
or Gladys Knight — neither one of us will remember
and neither, thank the stars, will sing along

with battered spoons held up like microphones.
We have weirder fish and grits to fry.
Delivered on those thick, dishwasher-hot platters

is a rolling-out red carpet of make-up nonsex, nonsense
with fate giving the laces of our sneakers a reassuring yank
and tying the bow loops in an overhand for safety.

And we will run, a car packed with pink and blue suitcases,
a plaid Thermos and a drowsy leopard,
blowing a pop stand of personal grievance.

The whole diner is applauding now, with me wanting
the whole of this tear-stained and bloody, badly written world
to have what I’m having.

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Jennifer Keith writes and plays bass for the rock band Batworth Stone. Her poems have appeared in The Free State Review, Best American Poetry 2015, and elsewhere. Keith was a finalist for the 2021 Erskine J. Poetry Prize from Smartish Pace. Her first full-length book of poems, Terminarch, won the 2023 Able Muse Book Award and is due out in 2024. She lives in Baltimore, Maryland.

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FIRST PLACE
Catherine Carter

$100 and publication in the Bay to Ocean Journal, and free admission to the annual Bay to Ocean Writers Conference
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When You Stop by High Noon for a New Pierce

first Jordyn measures   then the deep
hard helix pinch punches
cartilage apart to receive
the two-millimeter dangle
of silver crescent moon
the spangle of movement   the moment
of glint.       Because  today
the parents are still well
enough to ask later    why but why
would you want to?     Because today
you can walk and cycle and paddle
a kayak named after a shark      Because

today     alive in a life
not even a millisecond long for a shale slice
    or the garnet grit of shore-sand
        let alone a moon
you have and you are
a body         opening
 its needle-sized wound
to  frivolity  adornment  celebration
Because

the noon wind fills the leaves’ bright sails       Because tonight
all night     you will feel    inside the curve
of your shell-whorled ear
        tugging at the tides and the tilt
of earth’s axis     turning
one face always toward you        one always away
the tiny moon
shine and chime

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Catherine Carter’s poetry collections with LSU Press include Larvae of the Nearest Stars, The Swamp Monster at Home, and The Memory of Gills, with a fourth, By Stone and Needle, forthcoming in fall 2025. Her work has also appeared in Best American Poetry, Orion, Poetry, Ploughshares, RHINO, and Ecotone, among others, and she lives with her spouse in Cullowhee, NC, where sheis a professor of English Studies at Western Carolina University.

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ABOUT THIS YEAR'S JUDGE
Nancy Mitchell, Salisbury Poet Laureate

Nancy Mitchell is the author of The Near Surround, Grief Hut, and The Out-of-Body Shop, and co-editor of Plume Interviews I. A recipient of a Pushcart Prize, her poems have appeared in such journals as Agni, Green Mountains Review, Ploughshares, and Washington Square Review. She has taught in the English and Environmental Studies Departments at Salisbury University, Maryland, and is an Associate Editor for Plume Poetry Journal. She hosts the Zoom Reading Series Poets on the Plaza and serves as the Poet Laureate of the City of Salisbury, Maryland.

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