DECember 2024 |
Bay to Ocean Journal Spotlight Writers |
Sarah Barnett Latkes We made latkes in December. We made latkes because Hanukkah was our kind of holiday. A celebration of survival. Or, as it's sometimes put: They tried to kill us. They didn't succeed. Let's eat! We made latkes because we could do it together—my daughter Michele and I. We could also do it separately and discuss techniques and shortcuts and commiserate over the cleanup process. Yukon golds or russets? Grate or shred? Peanut or olive oil? We made latkes because everyone loves them. You don’t have to be Jewish to appreciate potato pancakes and a holiday that celebrates a legendary miracle with food, friends and candlelight. We made latkes because the process brought camaraderie to our kitchens. We could hand out spatulas and aprons, point friends to waiting frying pans, pour wine. We made lots of latkes. Loads of latkes. Heaps of latkes. We layered them on paper towels as we inhaled their promising fragrance. Leftovers (too lowly a word for these delicacies) we wrapped in waxed paper and stashed in the freezer. Warmed in the oven, frozen latkes are insurance: a perfect supper while snow piles up in February, a late-night snack when you return home from the movies, an impromptu brunch on a dreary March day. We made latkes for parties at my house and hers, and at friends' homes on request. We made latkes together and separately. Until we couldn't. Because Michele died. Nine latke seasons ago. I made mine in five-pound batches. Two hours start to finish: peel potatoes, soak in water and lemon juice so they don't turn brown, shred, soak again, mix batter, form and fry pancakes. Add an hour for cleanup. I took pains to make each latke about the same size. Michele dismissed this as fussy. Whatever amount of batter landed on her ladle she dispatched into the sizzling oil. Her latkes always turned out as they were supposed to, brown and crispy on the outside, excellent potato flavor with hints of salt and onion. Mine were pretty good too. She owned at least a dozen menorahs. I own one—blue and yellow pottery, hand-painted eighteen years ago by my grandson Andrew. Her collection included several elegant silver models, plus a Tinker Toy version her daughter Rachel created in pre-school, and a tarnished bronze menorah from her father's childhood. Shopping in a craft gallery, she would always be drawn to a menorah display and would always consider buying one. "Do you really need another?" I'd say. "That's not the point," she'd answer. At Michele's annual Hanukkah party for family and friends, the aroma of fried potatoes hovered over the dozen or so menorahs displayed in kitchen, living room and family room. Michele invited each child in the group to light candles. All the menorahs would be lit. I would have balked at the lengthy process of setting out and lighting the menorahs. She thought only of her home filled with candlelight and people she loved. I still make latkes. Sometimes I imagine Michele watching, telling me to add another egg to the batter or to light a couple of candles to lessen the fried food aroma. But who can I call to complain about the mess in my kitchen, or about how, in the midst of the frying process, I ran out of peanut oil and had to run to the store? To whom can I boast? The latkes turned out so beautiful and tasty! And all about the same size! Because we're working in what was my daughter's kitchen, it's easy to imagine that Michele is watching. Watching as we ransack drawers for paring knives or peelers. Watching as we stand side by side to peel five pounds of potatoes. After a while, it's even easier to imagine Michele laughing. Laughing when we can't assemble her complicated food processor. Laughing when, with the machine almost reconstructed, we realize we cannot shred the potatoes because one crucial piece is missing. Laughing when we borrow a food processor from a neighbor. The frying process goes smoother. Rachel skillfully scoops up batter and places it in the frying pan. She waits patiently for the pancake to brown completely on one side before flipping it over. I am an impetuous flipper, frequently struggling to reassemble a pancake when it falls apart on my first hasty toss. We don't talk much. Rachel maneuvers her spatula to coax some stray pancake parts into a round shape. It would be comforting to imagine Michele watching this simple scene. But I can't go that far. I remind myself the holiday is about survival. Top Photo by: max griss/Unsplash.com Before retiring and discovering the joys of writing creatively, SARAH BARNETT had careers as a teacher, a librarian and a lawyer. She retired to Rehoboth Beach where she joined the Writers' Guild and began leading Free Writes and writing essays and short fiction. In 2021 she received a fellowship from the Delaware Division of the Arts as an emerging writer. Her work has been published in Bay to Ocean Journal, Delmarva Review, Brevity Blog and other publications. | Carol Parris Krauss Virginia Beach in December The sand– gunnel gray, and the shoreline wide Top Photo by: marcin kolodziejczak/Unsplash.com After 24 years in Fort Lauderdale, CAROL PARRIS KRAUSS relocated to Virginia. Some venues where she has publications are Louisiana Lit, One Art, Schuylkill Valley Journal, Story South, and Highland Park Poetry. She was selected for Ghost City Press’ 2023 Micro-Chap Summer Series. The Poetry Box released her chapbook, The Old Folks Call It God’s Country ( April 2024). Her next book, Mountain. Memory. Marsh., will be released by Fernwood Press in the summer of 2025. |
November 2024 |
Bay to Ocean Journal Spotlight Writers |
Catherine Carter The Rivers Run Through You when it’s dark enough, listen: Top Photo by: pauline bernfeld/Unsplash.com CATHERINE CARTER's poetry collections with LSU Press include Larvae of the Nearest Stars (2019), The Swamp Monster at Home (2012), and The Memory of Gills (2006), with By Stone and Needle forthcoming in fall 2025. Her work has appeared in Poetry, Ploughshares, RHINO, Tar River Poetry, Bay to Ocean, and Best American Poetry 2009, among others. Born and raised on the Eastern Shore, she now lives in Cullowhee, North Carolina, where she is a professor of English at Western Carolina University. | Karen Kendra Heartbeats I’ve held hundreds of hearts in my hands—not metaphorically, but actually. As a registered nurse and member of a cardiac surgery team, that was one of the many roles I performed, and, I thought, a particularly privileged one. When a fellow OR nurse asked me to be part of the surgical team she selected to care for her husband, I happily took that assignment. I had known Jack from social gatherings over the years. He was a warm, jovial man who adored his wife, Joanne, and their only daughter, Mary, also a nurse. For a cardiac surgeon to bypass severely blocked coronary arteries, the heart needs to be slightly turned and positioned for the surgeon to perform the intricate attachment of a donor blood vessel taken from the leg. The ribcage, the protective armor of the living pump, confines the anatomy, leaving limited space for his task. A vein will take on the role of the native artery, now blocked, so the heart muscle will again receive vital oxygen, and its new home must be prepared for this restoration. Through the dozen years I spent in cardiac surgery, as my hands stabilized this legendary organ—often said to be the source of compassion, kindness, and good—I’d wonder if the person whose heart I held was any or all of those things. Were they loving and generous, or tightly bound and miserly with their affections? Or is the heart just a muscle? The age-old, casual teasing between neurosurgeons and cardiac surgeons about whether the brain or the heart is more important has led to interesting discussions, though neither organ can exist without the other. Perhaps both sides are on to something: There are people who lead with their head and people who lead with their heart. We may have friends or relatives we describe in those ways. When Jack was wheeled into the surgical suite that morning, I chatted with him for a few minutes. I then accompanied the surgeon and his assistant as we scrubbed our hands and arms at the large sink before gowning and gloving for Jack’s fairly routine procedure of three bypass grafts. The surgery commenced. Jack’s heart was connected by various tubes to the heart-lung machine, which was monitored by a perfusionist, and which would take over the function of his heart while the surgeon worked. When the assistant finished removing a section of donor vein from Jack’s leg, I stepped into position beside the surgeon, gently scooping Jack’s temporarily-still heart into my hands. It’s one thing to hold a stranger’s heart, but this was different, and I was awed to be holding the heart of someone I knew. We had a connection, and I said a silent prayer as my hands cradled his body’s most vital muscle, now stilled. Jack’s heart would be stimulated to beat again when the procedure was completed. For millennia, writers have used the heart as a symbol of human passion, associated with religious and spiritual symbolism as well as the profane and evil. We use it in metaphoric expressions: take heart, a broken heart, wear your heart on your sleeve, follow your heart. And there are those who are described as not having a heart at all. Dr. Seuss’s Grinch had a heart three sizes too small, until Mary Lou and the Whos showed him what love and kindness were. Then his heart grew a few sizes and warmed, changing him forever. The simple lub-dub of a baby’s heart is reassuring to a mother, signifying life and safety. To a doctor, it’s a sound carrying a wealth of diagnostic information. To lovers, the increased pace of the dull beats can take their breath away, and reaffirm their love. And to those who mourn, the cessation of the beats they heard intimately for years introduces a depth of loneliness and despair in their own hearts. Believed to churn and heat the blood, the heart was thought from ancient times to be the seat of emotion. The simple heart we see on greeting cards and emojis is an anatomically inaccurate representation of the real thing, yet remains the universal symbol of love and affection. Over the years, emerging surgical miracles have transplanted hearts and other organs. I suspect a new home makes no real difference to those organs, but to the grateful recipients, it means life and hope. In a favorite movie of mine, “Return to Me,” a young woman named Grace receives a heart transplant, and later begins a relationship with the donor’s widowed husband, neither he nor she aware of their connection through his deceased wife’s heart. When Grace does realize the connection, she tells him, and he is shocked. Her grandfather consoles him, saying, “I knew it would have to be a very special heart to be at home in Grace’s body.” His poignant words are a comforting gift in exchange for the gift of life received. Jack’s bypass surgery went well, and I saw him a few weeks later at a party. He and Joanne thanked me for taking care of him and both gushed about how much better Jack felt since his surgery. Joanne had explained the procedure to him beforehand, so Jack asked me what it was like to hold his heart. I took his hand and told him his heart was just as warm and full as I knew it would be. Top Photo by: jesse orrico/Unsplash.com KAREN KENDRA is a retired RN and legal nurse consultant. Since retirement and her move from NH to MD, she has engaged in writing classes and facilitated classes in memoir writing for fellow retirees of the Peer Learning Partnership at Anne Arundel Community College in Annapolis. She loves the ESWA annual conferences and the guidance from seasoned authors. This is her second appearance in the Bay to Ocean Anthology. |
October 2024 |
Bay to Ocean Journal Spotlight Writers |
Donna Rothert Sunrise I collect sunrises, hoarding them in photographs and memory for cloud-filled mornings that mask their glory. I have loved them since I was a young girl growing up in Baltimore, when my father, always an early riser, would wake up before dawn to make his breakfast and greet the day. The first light brought quiet time before the chaos, promising possibilities and undiscovered opportunities. As I distance myself from the Virginia suburbs, past Annapolis, across the Severn River and Chesapeake Bay bridges to the sudden flatness of Kent Island and the Eastern Shore, the sky begins to brighten. On a day in October, early morning ground fog hugs the post-harvest fields of Queen Anne’s County, settling gently on the expanse of decaying cornstalks, fields sporadically interrupted by thick, impenetrable stands of old forest trees. Soft gray-blue skies, low-hanging clouds, layer upon layer, bordered by swaths of pale gold, hint at the coming day. With a final break in the cloud cover, a brilliant golden hole in the sky showers its rays, like guitar strings, onto the fields below, and disappears within seconds, as the clouds once again spread low across the eastern horizon. The sun is up. I have a consistent window to the daily rising of the sun from my home in Ocean Pines which faces east over the expanse of Assawoman Bay toward the Ocean City skyline and the waters of the Atlantic. Each morning I anticipate the singeing of the horizon as the promise of the sunrise tickles my memory. I am rarely disappointed. The seasons do not matter. January or June, April or October, a sunrise over water is especially breathtaking in its brief brilliance, in those singular moments just before the slow, inexorable surge of the sun above the earth’s border. On cloud-filled days, orange is the primary hue of the sunrise, orange in all its vivid variations -- gold, amber, tangerine, peach, bronze, pumpkin-- orange, a color signifying optimism. I eagerly anticipate daybreak, regardless of perspective, geography, season. On an early morning flight from Phoenix to Dulles four years ago, I noted the beauty of the sunrise through the window next to my seat. While different from my earth-bound trek to the Eastern Shore, this daybreak was just as compelling. We taxied first to the east, early sunlight showcasing the Phoenix sky in golds and yellows, layered by blazing white, against palest blue sky, whispery cloud lines feathering the horizon to the north of the spined ridges of western mountains. As we accelerated for takeoff, the sun rose higher and bathed in brilliance the parade of cargo planes, sitting wing tip to wing tip, at the ready. We sped past the huge hangar of Arizona National Guard Copperheads, sped past FedEx planes with their blue, orange and white logos nested next to the UPS brown and gold, all surrounded by teams of loaders, bustling to fill the holds. The acceleration of takeoff forced my back into the seat as we barreled past the terminals serving Southwest and American Airlines. Rising 1000 feet, 2000 feet, I could see the towering Arizona rock formations poking up through the flat plain, the major roads, straight, one with a slight unexplained bump-out that would be easily identifiable on a map, and then, surprisingly the unexpected ending of housing developments, abruptly replaced by a patchwork of green and brown. As we continued east, early morning sunlight created stark shadows on the slopes of the western peaks, shadows that moved across the mountains, morphing from a cat to a rabbit and then gone. Once again, the day begins, signifying the covenant nature has made with us, offering one more day to explore possibilities, exceed expectations, accept new challenges. Years ago, while living in Dallas Texas, I learned that day’s end can also be full of brilliance and spectacle, punctuating the inevitable falling away of the day’s energy. And I can argue the merits of both day’s end and day’s beginning. However, I am a sunrise zealot. To me, the breaking of day is a harbinger of possibility, a guarantee of one more chance to discover unfamiliar places, learn new words, make new friends, heal old wounds and solve hard problems. In my book, there is nothing like a good sunrise to begin the day. Top Photo by: federico respini/Unsplash.com DONNA ROTHERT
is a retired corporate executive and former English teacher dividing her time between Delmarva and Reston VA. A native Marylander, who has lived and worked in Texas, Connecticut, and Virginia, she has traveled to all fifty states, having recently visited Oregon and Iowa. Her essays appeared in the 30th Anniversary Anthology of the Maryland Writers' Association, Thirty Ways to Love Maryland, and her short stories and essays have appeared in Beach Dreams and the Bay to Ocean Journal. | Donna L. Smith Alaskan Iceberg
Looming iceberg knows my frozen soul,
Invokes a chilly dread I seldom welcome. My body cannot feel its buried dreams- Cold monolithic Blocks Stacked On Cold monolithic Blocks. A chunk detaches quickly to the sea. A Tour Guide gushes proudly, “That’s called “calving!” Iceberg splits and sheds a mass of ice. Crowd expands, contracts against the railing. My eyes lower to gaze within. My body knows within how calving feels. Today I do not look away; Today I beckon cold, vast density. If icy mountains mimic us in other worlds, This monster flatters me, reflects my fortune. Time chisels away, sadness pulls Then splits and slips Like my grief. A chunk of heavy tundra rendered Weightless. Top Photo by: annie spratt/Unsplash.com DONNA L. SMITH grew up in the Washington, D. C. area and attended the University of Maryland for undergraduate and graduate studies. Starting out as an English teacher in the 1980’s, Donna later transitioned to a career as a learning and leadership development consultant for working adults in a variety of business settings. She and her husband raised their two children near Annapolis, Md. Through the years, Donna has always loved language and poetry as a creative outlet. She now resides in Ocean Pines, Maryland. |
July 2024 |
Bay to Ocean Journal Spotlight Writer |
Julie Savell McCandless To Make the Coast of Spain (With all due respect to Emily Dickinson’s poem “To Make a Prairie”) To make the coast of Spain Top Photo by: dan gold/Unsplash.com JULIE SAVELL-MCCANDLESS retired from a 32-year career with the federal government, which took her all over the world. She and her husband Brian, a retired scientist and musician, divide their time between the Blue Ridge Mountains of Virginia, and their sailboat on the Chesapeake Bay. They share their lives with acres of filled bookshelves, assorted animals, unforgettable adventures, and lots of fresh air. Julie holds degrees from the University of Maryland and Tulane University. |
May 2024 |
Bay to Ocean Journal Spotlight Writers |
Deb Levine Ghazal Addressing Cumulative Grief and Periodical Bugs Anguish, like periodical cicadas, bursts from beneath. Buried nymphs rise, sorrows strain from the heart. Top Photo by: sagar vasnani/Unsplash.com DEBORAH LEVINE
is a (mostly) formal poet who lives on Kent Island with one cat, two parrots, a flock of hens, and the neighbor’s rooster. She writes about self-discovery, the human condition, and nature. She wrote poetry in high school, studied short fiction and physics at UNC-Chapel Hill, did the coffee-house open-mike night thing in grad school in Seattle and Los Angeles, and resumed writing poetry when she moved to Maryland in 2017 to teach (astronomy) at Anne Arundel Community College. She is grateful to her writer’s group for their support and encouragement. Her work has appeared in Bay to Ocean 2023. |
April 2024 |
Bay to Ocean Journal Spotlight Writers |
Nan Carlton Mosteller The Homeplace
For both men, today is hard.
Old and young, standing In the yard Where scores of children, for years Played and laughed, quarreled And shed tears. Clumsy chit-chat ends. At last, The two shake hands, and Keys are passed. One rolls up his sleeves, And one leaves. Top Photo by: robin jonathan/Unsplash.com NAN CARLTON is an author and illustrator of children’s books. She holds degrees in music education from Lenoir-Rhyne University (BME) and Appalachian State University (MA). Her work experiences include teaching public-school music, directing church choirs, and teaching private piano and flute lessons. Originally from western North Carolina, Nan now divides her time between Richmond, Virginia and Cape Charles, Virginia. She enjoys reading, traveling with her husband, and playing the mountain dulcimer. | Ellen Krawczak Cassie’s Tomatoes
I had just taken the barrier netting off the raised flower beds when Cassie came over, squatted down on her heels, and stared into space. Cassie was definitely a peculiar child; she rarely spoke, and never played outside with the other children on the block. Cassie’s father owned the house next to mine and used it as a second home on weekends. Cassie's parents were divorced, so Cassie visited every other weekend with her father and stepmother.
When my husband Frank was in medical school, he and his roommate would talk about the FLKs that they had seen in their pediatric rotation. I thought that it was an awful term, but they explained that a “funny-looking kid,” was a child who might be medically healthy, but just looked peculiar. Of course, this was years before people knew about the autism spectrum. All I knew is that Cassie, at ten years old, was different from other children. She had trouble making eye contact and avoided almost all social interactions. I was still mourning Frank's passing. He had died in the fall, and I was slowly adjusting to being on my own. Working in the garden seemed to be one of the few things that eased my waves of grief. Cassie watched intently while I added the compost to the beds and then used my claw utensil to rake the compost into the soil. I told her to come back the next morning, when I would put the tomato plants in the ground. That afternoon, I picked up a variety of tomatoes and other vegetable plants and a small garden kit for Cassie. I also picked up some stones to use as a marker. The next day, I spread out my plants, trying to decide which plants I was going to put where. I'm not sure when Cassie arrived, but I could feel that she had soundlessly sat next to me, watching. “Cassie,” I said, “I want you to put the stones in the middle of the first bed so that the bed is divided in half. The first half is your garden. I have to go into the house for a few minutes, so please pick out three tomato plants and they will be yours to watch over. You may choose any three you want.”I went into the house and brought out the pitcher of lemonade that I had made that morning, plus two glasses. As I poured the lemonade into the glasses, Cassie pointed to the three tomato plants that were to become her garden. She had chosen cherry, yellow, and Big Boy tomatoes. I gave Cassie her garden kit, and although she did not say anything, I could tell that she was pleased. She put on the flowered gloves from the kit, and I showed her where to dig. We worked for part of the morning, digging holes for our plants. I told her that we would finish later when the weather was a bit cooler. I asked her to come over at 4:00 pm so that we could get the plants in the ground. I was looking forward to the afternoon, and realized that it had been a long time since I had looked forward to anything. I baked some chocolate chip cookies and replenished the lemonade, but when I went outside at 4:00 pm, Cassie was not there. I felt disappointed and let down. I finished planting my vegetables, but left the holes that Cassie dug.I slept in the next day and did not get outside as early as I planned. I wanted to lightly water the freshly planted vegetables. When I went outside, I discovered that Cassie had already finished planting her tomatoes and had watered them and my plants too. I went into town that afternoon, bought a lovely lilac watering can, and put a note on it that said, “I belong to Cassie.” I hadn’t been in the mood to plant, really had not been in the mood to do anything at all. But it was fun working with Cassie in the garden that summer. Sometimes she hummed to herself, though she rarely said anything to me. The most she said was, “Thank you, Miss Jean,” when I gave her a book or a basket or some cookies. I could hear her talking to the plants as I passed by with cookies or brownies or cupcakes. I was indeed putting on some of the weight that I had lost after Frank's passing. All summer long, we weeded and watered, and put stakes in to support the tomatoes. The summer was hot and we had to water every few days. Some days, I would find Cassie sitting in front of her tomato plants, touching the leaves, softly singing to them. Then the harvest came. Almost overnight, all those little yellow flowers blossomed into tomatoes. We had cherry and grape tomatoes, Big Boy tomatoes, orange tomatoes, and yellow tomatoes.One day, while we were picking the tomatoes, I noticed that Cassie had picked a misshapen tomato. She turned it around and around in her fingers and looked at it. It was odd looking, and the color was slightly different from the other tomatoes. She looked at me, questioning. I told her to look at all the tomatoes – some were small and red, some were orange, some were very large, and some were still green. I said, “Just because they are different from each other, doesn't mean that they aren't as good as each other.” I added, “There is nothing wrong in being different.” I hoped that she was old enough to understand that being different did not make her any less worthy than her peers. She smiled, which was a rarity for her, and put the tomato in her basket. As spring approached, I looked forward to planting with Cassie again, but this was not to be. Her father and stepmother separated and the house was sold. Several years later, my children urged me to sell my home and move into an assisted-living villa that was closer to them. A few weeks after I moved, while I was settling in, I received a book in the mail. I wasn’t doing much cooking and very little gardening, so I was surprised and a bit annoyed to see that it was a gardening/recipe book, My Garden Grows. My villa was small and I did not need another book cluttering up my place. The cover had an illustration of a garden with tomatoes cascading all over each other. I opened the book and there was an inscription on the flyleaf, “Dedicated to Miss Jean.” And, in ink, underneath the inscription, Cassie had written, “You opened up my heart to making things grow. I think of you every time I dig in the dirt. Happy reading and happy eating.” It was time for me to order tomato plants – tomatoes and Cassie were happily back in my life again. Top Photo by: andrew kitchen/Unsplash.com ELLEN KRAWCZAK is enjoying the quiet life on Maryland's Eastern Shore. She has been published in “30 Ways to Love Maryland,” a 2019 Maryland Writers' Association Anthology, the “Bay to Ocean Journal,” and in “Beach Secrets,” a compilation of short stories by local writers. She has self-published four children's books with a fifth one coming out this spring. She has participated in the Art League of Ocean City's “Shared Visions” event, and has served on the Editorial Board of the “Bay to Ocean Journal” from 2020–2024. |
March 2024 |
Bay to Ocean Journal Spotlight Writers |
Cheryl Somers Aubin My Navy Dad A ten-year-old boy scans the skies over Los Angeles for planes in the days of World War II. Closing the curtains for blackouts, passing on rumors of two downed “Jap” planes to his buddies, Donald collects five by seven black and white pictures of war planes sold at the dime store. From the pictures he and his friends can recognize all the different types of planes that fly out of a nearby base. Playing at dogfights, dreaming of flying, this boy one day grows up and achieves his dream in that blue, cloudless sky. He becomes a pilot. And later, this man returns from the sky, returns to the earth, and becomes my father. * * * * When I was growing up, there was a flight suit, helmet and oxygen mask stored in the top drawer of the cabinet in my dad’s workroom. As kids, we’d sometimes try on the helmet and mask; I remember the funny old plastic smell inside. In college, my sister even wore my dad’s flight suit once as a Halloween costume. A large green footlocker in the basement held other clues to my father’s past. It contained more of his Navy things, but it was seldom opened. But in every den or home office of the different houses we lived in growing up, his “Designation as a Naval Aviator” hung proudly on the wall next to his college and graduate school diplomas. With a dramatic rendering of an aircraft carrier with clouds and planes in the air, this Designation, which he received when he was awarded his wings in March 1953, is the equivalent of a diploma from the Naval Air Training Command. I have always looked at my father through the eyes of a daughter. First as a young girl, I stood in stocking feet on the toes of his shoes, looking up at my first dance partner and first love. When I saw him next through the eyes of a teenager, I saw a very successful business executive. Unfortunately, travel took him away from his family for up to forty weeks a year, and a distance developed between us. When I look at my father now through the eyes of a parent, I see a man I respect and admire, a man who loves his children and grandchild and cherishes his time with them. But I‘d honestly never thought of him before he was my father, as if his life somehow started with my birth. I’d heard some Navy stories as I was growing up, or the “Navy days” referred to, but mostly I just thought of this man, whose been in my life for forty-plus years, as my father. * * * * At the National Archives in College Park, Maryland, I started shaking as I carefully opened a box, pulling out the logbooks, month by month, for the USS Boxer CVA-21. This aircraft carrier took my father and his airplane across the Pacific and into the South China Sea in 1954. I ran my hand over the cover and tears came to my eyes. In my hands I held my father’s history, my dad’s life as a twenty-three-year-old naval aviator. I hadn’t expected to react this way when I agreed to do a simple favor for my father and one of his old Navy buddies who was writing an article. It was about a mission he, my father, and two other men carried out after departing from the Gulf of Tonkin during their cruise. They weren’t completely sure about the date of the mission, so I had agreed to check the ship’s log for them. My dad had ordered up the logbooks by phone, and I picked them up at a desk inside, after working my way through an involved identification and security screening. My own mission that day was to locate a few pages within the logbooks and photocopy them. My dad would then plot the course of the ship to see if he could more accurately determine the exact date of their mission. When I held my father’s history in my hands, I saw him with new eyes. This was a part of him I’d never known. I thought and wondered about him, not as my father, but as a man on the cusp of adulthood. I wanted to know more about the twenty-year-old who began his military service at the beginning of the Korean war, this man who gave his days and those years to the Navy. Like lifting the lid of a treasure box, I was curious, excited and nervous about what I might find inside those pages. I wish now I’d smelled the pages, lifted the logbooks to my nose and inhaled deeply. Would there have been the hint of the sea? The wind, the sun? The smell of fuel as planes took off, ships moved, men smoked on the bridge? * * * * In 1951, before the Korean War started, my dad enlisted in the Navy at age nineteen, encouraged by a poster in the Navy recruiting office located in the courthouse where his father worked. On the poster, the words, “Pilots, man your planes!” came from a speaker, with young men depicted running to get into their planes. My dad and a friend, who both knew that war with Korea was imminent, and therefore the draft was in their future, signed up to become Navy pilots. Because of high blood pressure, his friend had to switch to another branch of the military where he later would pass the physical and become an Air Force pilot. For his part, my dad was deferred for almost a year so he could complete more college courses. It was only later that I would learn how his mother had doubled over with laughter when my dad said he wanted to be a Navy pilot. “Oh, Donald,” she’d told him, “you can’t possibly do that!” He’d been floundering in school, wondering what he should do with his life, but he did manage to get his civilian pilot’s license by scraping money together for flying lessons through his job as a newspaper carrier for the Los Angeles Times. My dad knew one thing for sure: he wanted to fly. The story told in our family is that my dad had passed all of the tests but had not passed the physical to get into the Navy the first several times because of high blood pressure. One day, he and my mother, his fiancée, decided to check just one more time. While my mother was writing out the invitation list for their wedding, she looked up and saw him bounding down the steps with a big smile on his face. He’d made it in, but that meant that the wedding would have to be put off for two years since naval aviation cadets were not allowed to be married. My mother loved him and wanted him to reach for his dream. They did eventually marry a few days after my dad completed his flight training and received his “wings.” By then he was twenty-two years old and my mom was nineteen. At the time of the Korean War, only one of every thousand men who applied got accepted into flight school, and of those men, only 70 percent actually completed the eighteen-month program. My dad was one of those men. By the time he had finished a total of two and one half years of training and preparing for sea duty, his cruise came. That deployment at sea lasted eight months and came just after the Korean war had ended. The year after his cruise he would have his first child, a son. I would follow in 1959, my sister in 1963. But for those many days and nights at sea, he was a naval aviator, being catapulted into the stars and the sky and the sun, in his F9F-6 Cougar jet. * * * * The pages of the log were fragile but not as yellowed as I would have imagined after fifty years. They had a brittle quality to them, especially the register of ship’s officers typed on onion skin paper at the front. I wondered if I should have had white gloves on to protect those papers. I remember having to get special permission even to remove a staple so they wouldn’t rip as I copied them. The next page contained “remarks” in four-hour increments: 0-4, 4-8, 8-12, 12-16, 16-20, and 20-24. It reported the ship’s business, “steaming as before” or “crews mustered on stations.” The log tells the story of checking and rechecking equipment and people; firing the boilers and then letting the fires die; commencing air operations and ceasing air operations; releasing sailors from the brig and sending a few others to it. On March 5, 1954, the USS Boxer left the San Diego operating area and headed out to sea. Later that month, on March 16, at 0808 the log reads, “Received report that jet type aircraft, BuAero #128192 piloted by LTJG C. P. Larson, 543028 of Squadron VF-121, crashed in position 20-22 N, 157-30W, water temperature 75 degrees. Cause of crash due to mechanical failure. Condition of pilot unknown.” Charlie Larson, the man in this accident, was one of my dad’s bosses. He suffered a spiral leg fracture during his bail out and was rescued by the USS Taussig, a destroyer that was traveling with the Boxer. Transferred back to the ship by a wire stretcher, he would be sent to yet another ship and go on to spend nine months in the hospital in Hawaii recovering from his injuries. He eventually returned to active duty. Sadly, just a few weeks later, another friend of my father’s was killed in a catapult accident when his engine caught fire just as he took off. He ejected, but his chute failed to open; the ship’s crew was not able to recover his body. * * * * My dad and the other three men in his division were launched one mid-April morning to check out a sighting of a bogey (possible enemy aircraft) in the area. Even in peacetime, a bogey was still a potential threat. Was this a Chinese Mig coming out to challenge the US task force that was just in the Gulf of Tonkin? Would my dad’s air combat training be called into action here to shoot down a plane? Dawn was just breaking as the skies were clearing. While the ship’s air-search radar was working, the target-altitude feature was down, so the bogey could have been anywhere from sea level to 40,000 feet. Told to locate the bogey in the sky, the group climbed to 35,000 feet. As the number four man in the formation, my father looked down and back through the window of his canopy and saw the sun glint off the wings of the bogey. Calling out “six o’clock low,” my dad led the formation down to the bogey’s lower altitude. As they descended, an order came from the ship to “engage and destroy.” The division leader, Lt. Glen Tierney, responded “WILCO” (meaning will comply). In shock, my dad, his adrenaline racing, raised the cover of his “master arm” switch and flipped it up to the “on” position. The guns, filled with 800 rounds of 20-millimeter shells, could empty into the bogey within minutes. As they all got closer, Lt. Tierney saw French markings on the plane and the heads of the passengers through the windows. He called out, “Hold fire! Hold fire!” then radioed back to the ship, “Bogey is a passenger plane with French markings. Breaking off the attack.” The ship responded, “Roger-six-one, your orders are to engage and destroy within ninety seconds or clear the area and let the umbrella (a term for combined anti-aircraft weaponry) take care of it.” The division cleared the area. And the pilots were switched to another frequency for the twenty-minute flight back to the ship. In shock, wondering what the hell was going on, Dad felt great relief when he turned off his gun switches and left the area. Back on board ship, Lt. Tierney was called to the bridge, where he was congratulated for saving the Navy from making a horrible mistake. * * * * I searched but did not find my dad’s name in the ship’s log book. He told me later that his name and the names of the other pilots and their missions were kept in a separate log by the Air Group, which was not stored with the ship’s log. I made a second copy of the entire ship’s log for myself. I wanted to hang on to those pages. Read them more closely. Read about the days of ship life, destinations. Think about my father’s plane being catapulted off the deck of a ship, remembering that his tears always fall whenever taps is played. These pages don’t tell me about my dad’s life in detail, but like fog lifting off the sea, I can make out some of the things that shaped the man I know now. It took me all day to copy the pages. I then returned to my desk for a final look through the logs. Manila Bay, Sea of Japan, Hong Kong Harbor. All the seas he traveled, all the ports he visited. * * * * Later, when I visited my parents’ home after my trip to the Archives, Dad showed me the yearbook from the cruise. The last two verses of the poem on the front pages of the yearbook read: I asked my father about his life on the ship, where he slept and ate. Did he get out in the air very much? Or did he see the sun only through the windows of his plane? What was life like under the deck? Noisy, smoky? Was he ever afraid or lonely? He’s happy to tell me about those times, pleased that I am interested in his Navy experience. A few years ago, he created a bar in his basement and filled the area with the mementos from his Navy days. He loaned me his Naval Aviator certificate, his cruise book, and a copy of his personal flight log. We’ve spent hours talking about his time on the cruise and in flight training, and I feel my dad’s pride every time. There are more pictures from those days, too. I am especially struck by the look on my dad’s face when he’s being awarded his pilot’s wings. Head down, eyes looking at the Admiral, respectful but almost disbelieving. By the final days of his cruise, his flight log records sixty-four carrier landings and fifty catapult shots. Numbers he knows by heart even today. He attends squadron reunions and marches in the July 4th Sudbury Town Parade as a Korean War Veteran. * * * * One Christmas, several years ago, I watched my father with his only grandson, my son. Dad gave Charlie a model aircraft carrier and told him how he’d flown off one. Sharing his excitement with Charlie, they kneeled down on the floor and put the ship together. My dad explained about the catapult and how it pushed his plane into the air. “Imagine that, Charlie, being a pilot and taking off a ship.” Softer now. “Imagine that...” They both took airplanes and flew them around the room, practiced landing. My dad smiled at his grandson, and a connection was made, father to daughter’s son. There was a boy and his ship and a father and his flying memories...and a daughter, too, who understands just a little bit better, about the man she calls dad. Top Photo: USN/Wikipedia CHERYL SOMERS AUBIN has an MA/Writing from Johns Hopkins University. She is the former nonfiction editor for Delmarva Review. Cheryl teaches memoir writing and is a featured speaker at writing conferences and workshops. She is the author of The Survivor Tree: Inspired by a True Story, which is based on the true story of the 9/11 Survivor Tree. Website. | KINDRA MCDONALD Gleam My father polished the whitewalls of his car each week shined them bright as teeth kneeling with a toothbrush and baking soda to scrub them until they gleamed and today when a man parks his car on High Street it rattles and shimmies into place all rust and Bondo yet he circles around glances back and cardiac quick pulls a hanky from his pocket buffs the whitewalls all spit shine and promise until they wink in the blinding grief of the noon sun. Top Photo by: edward bowden/Unsplash.com KINDRA MCDONALD is a poet-artist, conservationist and author of Teaching a Wild Thing, Fossils and In the Meat Years. She was the recipient of the 2020 Haunted Waters Press Poetry Award. She received her MFA from Queens University of Charlotte. She works in mixed-media and found poetry and teaches at The Muse Writers Center in Norfolk. She served as the Poetry Society of Virginia Southeastern VP from 2019-2022. You can find her on a trail or here. |
February 2024 |
Bay to Ocean Journal Spotlight Writers |
Katherine Gekker Bremerhaven, Germany, January 1954 Bombed buildings surrounded the harbor. Our ship, anchored in North Sea’s gray chill. My father knelt at the railing, On the dock below us, men lurched on crutches, one leg. Top Photo by: alev takil/Unsplash.com KATHERINE GEKKER is the author of In Search of Warm Breathing Things (Glass Lyre Press, 2019). Recent poems have appeared in Rappahannock Review, The ASP Bulletin, and elsewhere. Gekker’s poems, collectively called “…to Cast a Shadow Again,” have been set to music by composer Eric Ewazen. Composer Carson Cooman has set a seasonal cycle of her poems, "Chasing the Moon Down," to music. Her poetry has been called “affecting” and “elusive” by the New York Times and “ethereal” and “sensuous” by other newspapers. Gekker was born in Washington, DC. She founded a commercial printing company in 1974 and sold it 31 years later. She lives in Arlington, Virginia, with her wife. | Julie Wakeman-Linn Unheard Echoes In the shadow of the gleaming white cruise ship, the shore excursion director warns me, “Do whatever it takes to return them on time and unharmed.” “Certamente. Easily.” He blames me for last week’s misstep. Bound by the ship’s 4:30 departure, I find the afternoon tours to Pisa the hardest to manage. As my group boards the bus, all twenty-five of them, I synchronize their WhisperQuiet, their listening devices. I’m not thrilled with the cruise ship’s procedures, schedules and script. I need the tips from luxury liner passengers to pay for my Renault’s axel repairs. I long to resume my small private tours without rules. “Buon Giorno, I am Muriel, your guide.” I roll out the ‘mur-iel,’ highlighting my accent. The devices save my voice but trap me whenever my mike is on. “This afternoon, we will have a short trip through the Tuscan countryside to visit the most famous tower in the world. I have a special surprise performance for you, too.” The reality will be bumpy backroads for an hour. The driver Giuseppe clicks the ignition and the bus shudders as he shifts into drive. Except one man strides up the aisle. “Stop the bus. You have to wait for my daughter and son-in-law.” He folds his arms across his chest. Clearly, this delay poses no difficulty for him. For me, on a tight schedule, it creates a disaster. He’s so close, my microphone picks up his words and broadcasts to the whole group. I smell the coffee on his breath. I must be careful what I say, while juggling this delay. I tap Giuseppe’s shoulder. He brakes and the bus lurches against the abrupt stop. I grab a seat back to stay standing. “They weren’t on my list.” Twenty-five people start to fidget in their seats, looking to me. We have arrived at the pier’s gate. “Last minute decision on their part. Back up,” the man says to Giuseppe. “I’ll go get them.” The bus’s back-up horn blats. Two more people in my group which is already large for the narrow, risky streets of my city. I follow him to make sure I can hustle them back on board. He carries an I-phone but does not call them. Being polite while forcing people forward traps me in a frustrating mental jacket. A young man in tight black jeans strolls down the ship’s gangway. The father hails him—he must be the son-in-law. The gray December sky threatens spittery raindrops. “Where is she?” The father’s tone reveals how little he likes his son-in-law. “I thought she was with her mom.” The young man stuffs his hands in his pockets. I suspect he is embarrassed. “You know how she is.” Turning to me, the father says, “She’s always late.”
I want to snap—I have a busload of people waiting. Hurry up—but I do not. Even though we are falling behind schedule, I must remain the smiling, informative guide. I will have to shorten my spiel, unless this nightmare of a family gets itself together. His wife, the mother, has now exited the bus—one more deserter to round up. I try to shoo them with thrusts of my hands. “We must leave soon, or we will miss our performance.” “There’ll be another performance, won’t there,” the father says in a flat matter of fact tone. “Or something else.” He is ticking off boxes from some guide book list. He does not understand Italy’s special moments of time and he certainly isn’t seeking unique adventures. My surprise, our Baptistry performance, happens at the top of the hour and we will not be able to wait for the next one and return to the ship for an on-time departure. This time problem never happened with my private groups of three or four in the comfort of my Renault. “Can you call her, please?” I ask the son-in-law. I glance at the bus, alert for a mutiny of tourists. He isn’t about to disagree with his wife’s father. Instead he rushes up the gangway and waves at some one. He shouts, “Sarah, over here.” A twenty-something slender blond woman emerges from the ship. She adjusts her silky scarf. Oblivious that she holds a busload hostage. The frenzy of his waving hand speaks a loud message—hurry up. She blinks like she doesn’t want to recognize him. A crewman chases after the daughter down the gangway. “You must swipe your room card, so the ship’s system knows you have left.” “I don’t know where it is.” The daughter adjusts her pink boot toppers over her knee-high Ugg boots. “Justin, give me the backpack.” He strips it off and she digs through its pockets, one after another, until she finds the key card.
This daughter won’t follow any of the procedures. I’d like to toss her into the harbor’s cold murky water. I can’t nag or they will complain even as their nonsense drags me further off schedule. To make up some lost time, I break one of the rules. “If you leave your room key with the crewman, we can depart. I can’t wait to show you my city,” I lie. She flips her hair. A kind of eye rolling at me. The crewman, not dependent on their approval, snatches the room keycard. “You must sync your Whisper before you go.” I blurt, more harshly than I intended. Another delay while the daughter unwinds the cord, pinches the earbud and wiggles it into her ear. The bus’s diesel fumes coat my mouth. I shepherd the daughter, her husband, her mother, and her father to the bus. On board, an American couple in the front seats are agitated. The wife murmurs, “Will we make our surprise?” The husband glares as the whole family of stragglers stroll the bus aisle, ignoring the delay they have caused. I whisper to Giuseppe, “Hurry.” The bus rattles over steel grates as Giuseppe accelerates toward the pier’s gate. He spins the curves of the port’s looping roads fast, the bus’s metal shell swaying. It feels like it will tip over. He dodges the cargo trucks, trying to make up lost time. “Let’s do our sound check, please. Answer if you hear me.” I’ve added my own trick to the script. I sing the line of the Beatles tune and they will answer. “Oh bla-di, oh bla-dah.” “Oh, how life goes on” answers me, not a robust chorus but a few timid dribbles over the loud engine noise. I stroll the aisle, making eye contact with them all, taking in their Prada boots, their Fendi foulard scarfs, and their Ferragamo boots. “Marvelous, my champions.” I use ‘my’ to build a community out of a random set of cruise passengers. I may be alone in a crowd, but if I can get them to chuckle at my jokes, they are playing along. I launch into my prepared welcome to Tuscany, surveying the group which includes English speakers in their sixties-seventies from the United States, England, or Canada. Can I restore them to good humor? The American couple in front seem to be my bellwether and they look anxious. Her interest in my hints of our surprise anchors me. I will engage them somehow. “What a beautiful jacket you have, Madam.” She wears a Florentine red lambskin jacket. She probably bought it in the Mercado Centrale and no doubt paid too much for it. My compliment draws a nice smile. Rain on the windows blurs their view of the countryside, which is only leafless ugly winter vineyards, and it will destroy her jacket. “You can purchase a poncho at a stall in Pisa.” “Oh,” she touches the leather, her mouth quivers. “Thank you for the tip.” “Everyone, your attention please. Our agenda today is quite excellent. We drive to the cathedral’s baptistry for a special surprise and to view our amazing tower. If we can make up some time on our drive, there will be an opportunity for taking of photos and some small shopping.” The American woman in her red jacket nods. She appreciates my attempts to restore order. If she and her husband were with me on a private tour, I’d know their names and where they were from. We’d probably become Facebook friends and stay in touch. In a group this size, I’ll not have a chance to make any connections. During my spiel, the group attends to me, their heads swivel watching me, almost like a pack of dogs who know their treats will be tossed to them soon. “The Piazza dei Miracoli, a UNESCO World Heritage site, is visited by thousands every year.” That I must caution them embarrasses and distresses me. “But some who are not tourists frequent my city streets. Please put your wallets in your front pockets, gentlemen. Ladies, if you can wear your handbag across your body, we will discourage those others.” Giuseppe parks in a tour bus lot, nearly empty as the tourism season falters in our damp winter. I’d have parked my car behind my friend’s café, next to the Piazza, but instead we have a ten-minute walk to my city’s medieval wall. I must rush them, all the while conveying a leisurely mood. “Please walk on the sidewalks for safety.” I trot in the street next to them. Their line spreads back a whole block. I monitor their faces to make sure they understand and are happy. I glance at the alleys. Thieves plague my beautiful city. Pickpockets are drawn to wealthy tourists like flies to ripe fruit. Umbrellas and hoods hide their faces, so keeping eye contact is challenging. The delaying daughter is with her mother who looks so much like her, only an aged, nipped-and-tucked, heavily highlighted version. The young husband lingers at a café doorway, about to enter. “Sorry we must stay together,” I motion him back. Who am I most angry at? The husband? The daughter? The father? I’d love to get even with them. In a fantasy I would send them off on the wrong bus.
Since the university cut my teaching load, I have walked this route three times a week for five years with my former company, until the luxury liner took over their pier birth. Those other groups booked directly for a personal guide, so comfortable in the leather seats of my old but luxurious sedan. They were pleasant people to know, who wanted knowledge and adventures. Sometimes they were amateur students of art and history. I believe bad luck comes in threes, my teaching schedule being gutted, my car accident—I’d wondered what would torment me next. Last week an old lady lost her wallet to a tiny Roma pickpocket. She discovered its absence on the bus and hollered the whole way back to the ship. That screwed my tips. I was distracted by chatting with an older Australian man who genuinely wanted to know about the architecture of the cathedral. I love a truly interested tourist. He flirted with me in a soft-spoken Aussie twang and I was soaking up the attention when she wandered off and little Roma children swarmed her. I’m on probation for that error. Like a border collie, I zip around the perimeter of the group, nudging them forward, nipping with tantalizing bits of information. “Hurry, please. Our Baptistry, 348 meters in circumference, is the only round one in the whole of Italy. We must be in position for your special surprise.” I guide them forward with a sweep of my hand. Inside, I direct them to the far side of the baptismal font. “The dome is a wonder. Take out your ear buds. Ready your phones to video,” I say. Across the Baptistry, three young girls with yellow ribbons in their hair and matching ruffled dresses under their black vinyl raincoats are alone—are they tourists or thieves? The latest batch of infant thieves I’ve encountered are probably only eight years old. I like children but I do not understand them. Whether they are a threat or not, I position myself between them and my charges. The tenor, Horatio, mounts the steps, cups his hands around his mouth. He has trimmed his beard since our last evening together. Once I’d like to listen, instead of standing guard while he performs. The blonde daughter is growling at her husband and he begins to deny whatever she is saying. I must hush them, or the performance will be destroyed. “May we have a moment of silence, please.” The blonde sneers, but she shuts up. Horatio winks at me and begins. The pure sound of his three notes never fails to delight. His tones reverberate off the perfectly rounded ceiling, creating a fulsome harmony in echo. He creates a major chord open, rich, alive. I check the face of the American bellwether—she is enchanted, her head tipped up, her eyes closed. “Justin, how do I turn on the video on this thing?” The father asks his son-in-law, interrupting the echo. Damn him and his family. The group whispers and murmurs, discontent, like they are collectively shuffling their feet. Horatio grimaces and he exits. He does not look my way. “You ru—” I block the furious reply, you ruined everything, rising to my lips. “Really—you really will enjoy the tower.” I revert to auto pilot with my script and lead them outside. “Welcome to the Piazza dei Miracoli, and the tower, which is a symbol of our country to us and all the world.” “A failed building as the symbol of a failed country figures, doesn’t it?” the daughter mutters. “Miracoli means miracles.” I ignore her, even though everyone probably overheard her through my WhisperQuiet. “You see, it is the place of miracles because the tower has withstood four earthquakes since the twelfth century. In 1962, American and Canadian engineers counteracted and stopped the leaning.” I slip in the detail to flatter them and their countries. “We are so grateful for their expert help.” Tourists snap those ridiculous photos. They lean like the tower or they pretend to brace it. My group joins in the posing. Do they look at the symmetry of the curves, the carving on the arches, the patina of marble? I don’t think so. “The architects over the centuries of construction have beautifully blended Romanesque and Gothic styles.” A cold wet breeze whips through the Piazza, carrying the scent of roasting chestnuts. “You have twenty minutes for photos and to perhaps get a coffee. Try some warm chestnuts.” The slightly burned odor, not as pleasant as summer scents of pistachio or coconut gelato, evokes the Christmas holidays when all the tourists will be gone to Rome. “We will meet at the Baptistry steps at 3:15 on the dot, please.” I pounce on the word, please, praying they will do as they are told. If I had a euro for every time I had to say please, I wouldn’t have to work at all. I shut off my microphone, relieved to be done with the cruise ship script. Maybe someone in the group will ask genuine questions. My American woman, a poncho draped over her red leather, says, “Your English is so excellent.” “I studied in your Chicago at the Art Institute,” Not an interesting question but she is being pleasant. “I’m an art historian by training.” I wait for a follow up personal question but she only nods with a smile. I scan the square, but I see no suspect small children. Perhaps the pickpockets have taken this day off due to the rain. The father wanders away, backing up, staring at his raised I-phone, trying to snap a photo of the entire tower. I let him drift off, keeping an eye on him. He wasn’t listening anyway. Three small girls, their dark hair tied with yellow ribbons, emerge from an alley. Giggling, they charge him. He is ignoring them. The littlest one pushes a map against his chest. The two circle him. “Merda.” I don’t see the lift, but I know it has happened. “Stay close together in the square,” I say to the American woman. I race toward them. The bigger girls dash off. Why should I protect this man’s money? I stumble on the uneven cobblestones. The littlest one drops her map. She’s slower than her co-conspirators. She stops to pick it up. I grab the collar of her coat and snap her to my side. “Give it to me. Now.” I grip her collar, clenching the slippery wet plastic. “Not-me. Don’t-have-it.” She squeals and struggles, trying to twist away. “What are you doing?” The moron father yells. “You can’t grab somebody’s kid. Have you lost your mind?” “Have you lost your wallet, toi idiot?” I shout. I tug her collar, shaking her. I latch onto her arm, squeezing. I am practically brutalizing a poor child on his behalf. I don’t want to. I can’t let her go. “Someone call the polizia.” He claps his hand on his back pocket of his khaki slacks. Of course, he hadn’t listened to my admonition about front pockets. “Polizia,” I scream at the two other girls. “I will not release your sister until you return it.” Out of the corner of my eye, I glimpse my group. Huddled, horrified, clueless as a flock of sheep soaked in a thunderstorm. “Give it back,” I shriek. This impasse cannot last. What kind of monster am I becoming—bruising children for a rich, stupid man’s money? The two girls seem to confer. The biggest one approaches, her first steps tentative. The girls bursts into a run at me. Will they try to knock me and her sister down? The middle one tugs on my bag, pulling me off my feet. I shake the little one harder. The one gives up on my bag. The first one hurls the wallet to the ground. The father snatches it. I release the little one who flies to the others. I stumble and fall. I haul myself and reach for a scrap of dignity before I turn to the group. I straighten my coat’s lapels. I inhale deeply. I hate that I have abused a little child. My knees is scraped and bleeding. “All right, my champions. Time to walk to the bus.” I motion them to proceed. The father paws through his wallet, saying to his wife. “Nothing is gone. My cash is still here.” “Ridiculous they can’t clean up this city of thieves,” the daughter says. “You are the thieves,” I want to say but don’t. You overcrowd our town, you steal our peace. You attract the pickpockets with your wealth, your insensitive behavior. With my pleases and tricks and jokes, I am practically picking their pockets as well. The son-in-law says, “Thanks,” as he passes by me to catch up with the family. The American woman falls into step next to me. She opens and closes her mouth, like she doesn’t know what to say. “It’s so sad. Little children.”
She and he are proof, I suppose, that tourists are not all jerks, but they are not worth how badly I feel. I’ll beg the university for some classes, any classes, to teach. I’ll start tutoring in languages again. I’ll plead with Horatio to help me get hired to sing the three notes. Next to the rumbling bus, I shake the tourists’ hands, accepting their meager offerings. I turn my back on the man and his family, saying to Giuseppe. “Drive back without me. Tell the shore excursions director I quit.” Top Photo by: les anderson/Unsplash.com JULIE WAKEMAN-LINN edited the Potomac Review from 2005 to 2017. Her short stories have appeared in over thirty literary magazines. Her most recent publication is “Unheard Echoes” forthcoming in Bay to Ocean Journal, and “String Sisters” in Carolina Quarterly. She presented an ESWA program, “How to Hook your Reader” and she will be presenting
“Navigate the Literary Landscape to Land on the Editor’s Desk with a Yes” at the Bay to Ocean Writers Conference, March 9. Recently she has taught at The John Hopkins University Osher Program for Lifelong Learning and the Writer’s Center in Bethesda. She teaches creative writing on Viking Ocean Cruises. |
January 2024 |
Bay to Ocean Journal Spotlight Writers |
Wendy A. Simpson Seventh Generation My poems are short. No one wants a short poem that seems to others to say very little, but to me, they say everything. I am not a poet, at least not normally, but sometimes there are things I need to say, and they are not fiction. I have heavy thoughts weighing on my mind and on my chest, just like anyone else. Is this poetry or just whining? Maybe a bit of both. I am not suffering, at least not now. I have suffered, and I have gotten through much. I am a cancer warrior. I hate saying survivor. Someone once told me we didn't have a choice, that there was no way of fighting cancer. I said I didn't agree. If you are not giving up, giving in, then you are fighting. Sometimes I wonder where I get this strength from. I’ve lived a life and am still learning. If I were to write about it all, it would be a tome to rival even the longest works. Or would someone be interested in that? I am a seventh-generation American. I am not proudly stepping off the boat from Nigeria or the Congo. According to Ancestry, that is where my people are from. I don't know any of them. They died a century ago. So, does that make me different? Not truly African? They have accused me of trying to be white. Back then, I could not find the words to tell people I am not trying to be anyone or anything but myself. Should there not be togetherness? Should we not support each other? We could be so powerful if we joined as one and stopped accusing each other of wanting to be something or selling out because we are successful. It makes no sense to say, to be black, I must be poor. I will take success any day. If that makes me want to be white, so be it. But the thoughts are rank stupidity. I am proud of my accomplishments. Are we not one people? Of the same ancestors, from the same places? One voice? Does wanting to succeed make me less black? Less proud? Ashamed of where my ancestors came from? I know this is not our land. We are all immigrants. Only the Natives can truly claim this land. But we can respect this land and be thankful we are here. Where I can write poems and express my feelings. Where I can make myself known without fear of reprisal. How long is a poem supposed to be? How the hell should I prepare it? What the hell is a haiku? But I am learning. They taught us nothing about ourselves in school. At least not enough about our past and our ancestry. What they told us was lies and half-truths. So how was I supposed to know how to act? My strict Christian upbringing kept me from doing many things. I was called a snob when I was really just shy and wanted to please. The years passed, and I stopped caring, or at least not as much as I did. Call me what you wish, accuse me of whatever. I don't give a damn. I am not Maya Angelou or Amanda Gorman. I cannot speak of the greatness of Africa. I am certain it is great. I am certain of it. I am learning so much about myself, but there is so much missing it will take time. But I cannot speak of what I experienced before traveling to America. So many can say I was there, just days, weeks, months ago. They can speak of the beauty and the turmoil. If I did, it would not be honest. I am a seventh-generation African American. Why is that a bad thing? I will be no one else but me. Top Photo by: trust katsande/Unsplash.com WENDY A. SIMPSON writes: I have been writing since the age of five and finished my first novel at fourteen. My debut novel Tinderbox and its sequel Tarotmancer are available both in-store and online. Tinderbox made the Top 100 on the Amazon Best Sellers List in Black & African American Fantasy Fiction and is the 2022 GOLD Winner for Fantasy Foreword Reviews Indie Award. When I'm not writing, I'm reading, working in my garden, or gaming and streaming on Twitch under the handle Runic Nightshade. I share my home with my older brother and two diva cats. Visit my blog at www.authorwasimpson.com to learn more! | David P. Kozinski Anthropology There’s a twister in this Top Photo by: timothy eberly/Unsplash.com DAVID P. KOZINSKI's poems have appeared in 40 literary publications, most recently in the Bay to Ocean Journal, which nominated his entry for a Pushcart Prize, New World Writing Quarterly, Schuylkill Valley Journal, Eunoia Review and Dreamstreets. He has two full-length books – “I Hear It the Way I Want It to Be,” which was a finalist for the Inlandia (California) Institute’s Hillary Gravendyke Prize, and “Tripping Over Memorial Day” (both Kelsay Books). His chapbook, “Loopholes” (Broadkill Press) won the Dogfish Head Poetry Prize. He is poet in residence at Rockwood Park & Museum, near Wilmington, DE, and serves on the boards of the Eastern Shore Writers Association and the Manayunk-Roxborough Art Center, as well as the editorial board of Philadelphia Stories magazine. |
DECEMBER 2023Bay to Ocean Journal Spotlight Writers |
Julie Savell-McCandless Skyward (For a friend who died young) But only the wild geese above us kept flying: On still days, alone, I believe you are here sometimes, as the winter sun sifts through a thousand tall pines. Top Photo by: jodie walton/Unsplash.com JULIE SAVELL McCANDLESS retired in 2021 from a long, 32-year career with the federal government, which took her on all kinds of adventures all over the world. She has now started a new chapter of her life, split between a home on 6 acres in the Blue Ridge Mountains of Virginia, which she shares with her husband Brian, lots of musical instruments, writing and audiobook projects, and assorted animals – and their life in the northern Chesapeake Bay area, where they keep a sailboat on the Sassafras River. Julie has a Bachelor’s degree from the University of Maryland, College Park, and a Masters degree from Tulane University in New Orleans. She believes her writing is inspired by knowing how to listen, both to people and nature, and she considers herself a permanent student of Life. | Russell Reece The Chestnut Man December 24, 2019 But tonight, I’m thinking of another snowy Christmas Eve. It was 1949; I was 6. We lived at 202 Delaware Street, the third-floor apartment across from the courthouse. At the time there was a bakery on the first floor that often filled our little apartment with the wonderful smell of baked goods. We had gone to the candlelight service at the Presbyterian Church, just down the block. I sat in the sanctuary with Mom and Dad, anxious for the service to be over so I could get back home to the tree and the eventual arrival of Santa Claus. But the tall wooden pews held me captive and the preacher loomed above us and droned on. I was stuck. Funny – it seemed like yesterday. The preacher finished and the organ began playing. Everyone grabbed hymnals and stood to sing. I hoped for “Jingle Bells” or “Here Comes Santa Claus,” but it was only church stuff again and I didn’t know any of the words. At least I could move a little when we were standing, and mom wouldn’t get mad at me. Finally, as the service was coming to an end, ushers handed out candles with little white cardboard discs for catching dripped wax. They lit the candles for people in the aisle seats and the flame passed down the row from person to person. Mom let me hold her candle. I moved it around watching the flame go sideways until she grabbed my arm and held it still. When all the candles were lit, the lights in the church were dimmed, and everyone sang “Silent Night,” which I knew the words to. The candles made everyone’s face glow as they sang. That was pretty neat to see. Outside, snow was coming down. Mom and Dad stopped to talk to some friends. The wooden manger and some of the sheep statues in the nativity scene were getting covered. I wondered if it had snowed when Jesus was born. Mom kept telling me not to forget Christmas was a celebration of the birth of Jesus. I knew she was right, but it was such a long time ago, and there wasn’t anything fun about it. Now there was Frosty and Santa Claus, Christmas trees and presents – lots of stuff. On the walk home, I tried to keep up but kept tripping on sidewalk bricks that were popped up because of tree roots. I wasn’t paying attention. Instead, I kept looking at the colored lights strung across Delaware Street. They were really pretty in the snow. Under the streetlight across from our building, an old man was selling roasted chestnuts. He had a beard and a raggedy blanket covering his head and shoulders and tied around his waist with a piece of rope. His fingers poked through old wool gloves. “We’ll take a bag,” Dad said. He pulled out some change. Snowflakes hissed on the grill. The glowing coals, the bitter smell: it all seemed a little dangerous. The man scooped nuts off the griddle, filled a paper sack, and handed it to Dad. “Have a fine Christmas,” he said. “Merry Christmas to you,” Dad said. The man winked at me. There was a twinkle in his eye as our gazes connected – and then he nodded. I didn’t know why. I kept looking back at him as we went across the street.
In the apartment, Dad turned on the Crosley and dialed in some Christmas music. Mom plugged in the tree. There were times I looked at the tree with all its decorations and it seemed to be alive. The tinsel moved whenever someone passed by, the sparkling light changed, there was a fresh smell. I liked to lie on the floor and look up into the branches, into the shiny bulbs, each with its own wide-angle view of the living room. I wished we could have a tree all year long. Dad sat down in his big chair and opened the paper. Mom tapped me on the shoulder. “About time for you to get ready for bed,” she said. I got into my PJs and Mom folded my Sunday school clothes. I leaned on the cold windowsill and looked out over Delaware Street at the colored lights strung across to the courthouse. It was snowing harder. One of the lights kept blinking on and off. A bus stopped and several people got off. Cars went by, snowflakes in the headlights. A woman with an umbrella and a man with a scarf over his hat walked uptown. A couple stopped at the chestnut man. The glow from the grill lit their faces as the man opened the top and scooped up another bag. Mom leaned on the sill next to me. “It sure looks like Christmas out there, doesn’t it?” she said. A man in a red coat rode by on a bicycle. “Are you sure Santa Claus can get in?” I said. “Don’t worry. He’ll get in.” “But we don’t have a chimney. He comes down the chimney. And we lock the door. He can’t come in the door.” Mom smiled. “He has his ways.” “But how?” “It’s Christmas, honey, magical things happen. It’s been that way from the beginning.” I thought of the Star of Bethlehem and baby Jesus and the three kings with their gifts, and then Santa with his sleigh and flying reindeer. “Time for bed,” Mom said. “Go say goodnight to your dad.” I lay in bed thinking of the snow and Santa flying through the sky. Colors from the lights strung across the road reflected on my ceiling and I thought of lying on the floor, looking up into the tree again and how the room looked so different in the shiny balls. I could hear Mom and Dad talking in the living room and Bing Crosby on the radio. I wondered if I would hear Santa when he landed on our roof. . . . I jerked awake at the sound of bells. The house was quiet. No light showed under my bedroom door. Bells chimed again and singing sounded out on the street. I got up and went to the window. Snow covered everything and was still coming down. A group of people stood across the street singing carols. They all wore long, heavy coats; the women wore bonnets, the men old-fashioned top hats. Two horses were tied to a railing behind them. A horse pulling a carriage clomped by. I’d never seen horses on the street before. Another larger carriage with a man sitting high on a seat passed going the other direction. And then I realized the colored lights were gone and the streetlights had tiny flames instead of electric bulbs. The chestnut man was still on the corner filling a sack for another man with a small boy about my size. The man tipped his hat and he and the boy walked toward 2nd Street. The chestnut man closed his grill cart and chained it to the lamppost. He walked into the street in front of our apartment and looked up at me. He raised his hand and beckoned for me to come down. At first, I thought it was a mistake, he must be waving to someone else. But he nodded and beckoned again. I shook my head and moved away from the window. Even if I’d wanted to, I’m not allowed to go anywhere without Mom and Dad. I peeked out again. The man smiled. He raised his arms and the snow around him swirled and flew. Then there was a twinkling, and I felt a rush of noise and wind, and suddenly, I was standing in the snow in front of the man. I was still in my PJs but wearing my boots, wool coat, and cap. He held out his hand. I shook my head, afraid, not knowing how I got out there. He was a stranger. Another horse and carriage went by. I couldn’t believe how big the horse was. The man made the special smile he had when we bought the chestnuts. He pointed up at our apartment. Mom and Dad stood by the window and waved. Bells rang again and the carolers began to sing “Silent Night.” “Come on,” the man said. “There’s something I want to show you.” I took his hand, and we were suddenly back at the church standing in front of the manger. I looked around wondering how we had gotten there, when one of the sheep moved. There were a lot more of them than there were before, and they were all real. Several candles lit up the space. Baby Jesus was alive too, moving his arms and making baby sounds. Joseph was off to the side laying down hay for a donkey. Mary kneeled behind the basket where baby Jesus lay. Other people approached, all of them wearing blankets and robes like the chestnut man. And there were other animals too, a horse and a camel. We were no longer by the church but near a narrow street with stone houses which I’d never seen in New Castle before. Everywhere I looked, things were different. Mary picked up Jesus and rocked him in her arms. She noticed me standing by the opening and smiled, then motioned for me to come over. I wasn’t sure I should, but the chestnut man took my hand, and we went through the sheep and lambs and up to Mary. The chestnut man sat down on the dirt floor. I looked at baby Jesus and caught his gaze. He looked right at me. “He sees you,” Mary said. I couldn’t look away. I felt like the baby and I were connected. It was as if we were the only ones there, as if we were new friends who had met for the first time and were getting to know each other. It was crazy because I didn’t hear anything; I just felt it everywhere in my body. And then he looked back at Mary. I glanced at the chestnut man. He was staring at me with kind eyes and a peaceful smile. “Remember this,” he said. I glanced around. The animals were still. Several had lain down. The crowd of people was mostly quiet, but some murmured with their hands folded in prayer. A man with white hair and a white beard approached leading a donkey with bells on its harness that jingled softly. He looked familiar. Someone started playing a flute. The snow had stopped. The sky was bright with stars. Droplets of moisture on people’s clothes and the fence and walls of the manger glistened from the candle flames. And maybe it was the closeness of the animals or the crowd nearby, but it didn’t seem cold anymore. A feeling of warmth and peace surrounded everything. I’d never felt anything like it. Mary put baby Jesus back in the basket and cupped his face in her hands. It seemed to glow. . . . “Hey, sleepyhead, wake up. It’s Christmas morning.” I opened my eyes. Mom smiled down at me. Dad stood in the doorway. At first, I wasn’t sure where I was and then wondered how I got back in the house. I scrambled up and looked out the window. The lights were back again. Snow covered the street, the sidewalks, and the parked cars. There were no more horses or carriages. The city green was white as far as I could see. No one was out. A few tire marks showed on the road. “Looks like Santa found his way in. You have presents under the tree,” Mom said. I looked at them. “I saw him last night,” I said. “You saw Santa?” Mom said. “Jesus. And Mary and Joseph were there and the chestnut man, and other people. I think Santa was there too. He had a donkey.” Mom glanced at Dad and then back at me. “Wow. You had quite a night.” “That was some dream,” Dad said. The sensation I had looking into baby Jesus’s eyes was still with me. I could feel it in every part of my body. I shook my head. “It wasn’t a dream. You waved to me.” They looked at each other again. “Don’t remember that,” Mom said. “I want to go back to church. I need to see the manger again.” . . . After we opened presents and had breakfast, Mom and I went outside. The wind picked up little clouds of snow and piled them against the buildings and along the curb. A car went by. Across the street, a man pulled a little girl on a sled. I looked for the horses and carriages I’d seen last night. There had been so many of them, but this morning, there were none. The chestnut man’s grill cart was still chained to the lamppost and covered with a layer of snow. I tried to remember if I had seen any cars last night. At the church, we stood in front of the manger. The whole display was smaller than I’d remembered. There were fewer animals than last night. Some were dusted with snow. Joseph, Mary, baby Jesus, and the three wise men were protected by a slanted roof. Mary was kneeling with her hands folded in her lap. I didn’t remember seeing the wise men last night. Maybe they hadn’t gotten there yet. A couple of wooden crates in the display had white cardboard discs and piles of melted wax on them where candles had burned down. I was so confused. Some of this seemed right, but some wasn’t anything like I remembered. Of course, this was just a pretend display, statues made of plaster. Nothing was real. Last night everything had been real. We had to have been somewhere else. Mom shivered. “Imagine how cold it would have been in an open manger like this,” she said. I could see the chestnut man’s eyes again and hear him speaking to me. “It was warm in the manger. It was safe and warm like an invisible cloud covered everything.” Mom looked at me, her mouth slightly open. “Was that your dream, honey?” The baby Jesus statue’s nose had a chip in it. I thought about his real face, how we had connected, how it had made me feel. And then I remembered how he looked with his face cupped in Mary’s hands. I wanted to tell Mom about it. Tell her so she’d understand, feel what I’d felt last night. I wanted to tell everyone. But I wasn’t sure how I would ever do it. Then… “Mom... I know what I want to be when I grow up.” I crossed East 2nd Street, careful not to trip on the snow-covered cobblestones, and turned down Delaware Street toward the river. As I approached Jessop’s Tavern, the door opened, and Doris and Ed Maxwell came out. “Ah, the Maxwells,” I said. “How was dinner at the tavern?” “Good as always, John,” Doris said. She wrapped her arm around mine and they both walked with me. “Your evening walk?” “The best part of my day,” I said. “We were talking about you earlier.” “Uh-oh.” “We’ve been going to the Christmas Eve service for more than twenty years now,” Ed said. “I swear it gets better every year.” “You take us right back to that night in Bethlehem,” Doris said. “Everything seems so real. I’m always left with such a comforting feeling.” I smiled, and for just a moment, I was six years old again, feeling very proud. “It is real, you know.” We got to their car and Ed opened the door for Doris. “Enjoy the rest of your walk, Reverend,” he said. “Merry Christmas.” “Merry Christmas to you both,” I said. Top Photo by: josh hild/Unsplash.com RUSSELL REECE’s
poems, stories and essays have appeared in a variety of journals and
anthologies. Russ has received fellowships in literature from The
Delaware Division of the Arts and the Virginia Center for the Creative
Arts. He has received Best of the Net nominations, awards from the
Delaware Press Association, the Faulkner-Wisdom competition and others.
Russ lives in rural Sussex County near Bethel, Delaware on the
beautiful Broad Creek. You can learn more at his website. |
November 2023Bay to Ocean Journal Spotlight Writer |
Faye Green Bread Pudding Our friendship was easy and strong, no demands and no issues. He was handsome, wild and non-conforming, truant, trouble. I was popular, a class leader, rule-follower, conformist. High school kids. A couple, but not within the definitions allowed in school. Not romantic, not dating, just always seen together. Safe without demands. The school staff questioned my relationship with him. We knew what the opinions were, and we ignored them. We were young and we could ignore. There were very few boundaries and no definitions to our friendship. Two young people who liked to be together. Sometimes he quickly kissed me. Graduation was called commencement in the late ’50s. It was a beginning and the speeches from the podium, on that hot, non-air-conditioned June day, proclaimed new life, new opportunities, new freedom. But he was one of the graduates sweating and not listening under his cap and gown. He did not feel a new life or new opportunities, only a new freedom, which he could not fathom. Freedom. The first thing he would do was render that to a drill sergeant. He was going into the Army. “I’m going into the Army on Friday. What are you doing tomorrow? I have one day. Let’s do something.” He did not want to spend his last day with the girl who was going to cry and moan about him writing to her and coming back to her. He did not want to spend the day with the easy girl who would spread her legs for him. There would be plenty of that along the way. He wanted to be with me but did not quite know why. Just an easy choice. The plan to spend the day together came rather nonchalantly when we were entering into the city swimming pool. The day after graduation was even hotter. The all-night parties left most graduates wanting to laze around the aqua water and be together one more day before commencing. Could it be that we were holding on to the one thing we learned yesterday – the knowledge that we and our classmates would never be together again after 12 years? Our class was small, fifty-seven in 1957. We were almost a clique. Within that clique, he and I were part of a core of students that had traveled together since first grade. He and I were in that tight inner group, and even more so because we lived on the same road and saw each other outside of school, too. He was going to miss me, and I was going to miss him. He did not realize it, but this one day was to assure him that I would always be on our road, at the same phone number and walking the same streets while he was gone. “I’ll always be here,” I promised. He called me when he got out of the Army. He called me when his grandmother died. He called me when he got married. Divorced. Married. Divorced. He called when he was diagnosed with cancer and when he was cancer-free. He called me when he put his life back together. He had some interest in my life and family, but not much. Fifty-five years after graduating, he called me to tell me he was very sick. His cancer was back. “I’m not going to beat it this time.” I promised years ago that I would always be here for him but did not expect, after so many years, that he would want me to fulfill that promise. But he just wanted to talk. Easy. I lived a state away and could not incorporate him into my life now. I was a widow and had begun a literary career. He brought me up on his story and asked for mine. During the next weeks, he called often. “Bread pudding,” he said, his voice noticeably weaker. “Custard-topped bread pudding like my grandmother used to make.” I looked up my recipe and resolved to make it for him. But he was so far away, and I delayed. We talked and again I thought, I’ll make that bread pudding. It was so easy to go back to my busy life after hanging up the phone. The bread pudding was nagging me, but I kept putting it off. I do not know why, on that particular Wednesday, weeks after he asked for it, I made custard-topped bread pudding and packed a cooler. Today I would drive from Delaware over the Chesapeake Bay – 200 miles – and take his wish to the nursing home deep in southern Maryland. The nursing home and his room were exactly like thousands of others. Generic and almost clean. Antiseptic to blanket a smell. A cheery bulletin board and a pitcher of ice water. One window. One chair. He was surprised to see me sitting, quietly waiting for him to wake up. “What are you doing here?” he asked with astonishment and happiness all over his face. “Bread pudding,” I replied. He was weak and had little appetite, but he wanted his portion. I helped him to sit up and eat. We each had a creamy, rich, nutmeg-flavored, sugary-sweet bread pudding with custard on top. Just like he remembered. “Exactly right,” he said. “Cancer is burning me up.” He told me he was hot as he handed his bowl back. I got a cool cloth and wiped his head, back, chest, and arms to take the fever down. It was the first time I had ever touched his body. We talked of old times and how important we have been to each other. He said he loved me, and I knew, in some ways, I loved him, too. “I love you, too,” I told him. We had what was our allotted devotion. A love that fulfills promises – eventually. We enjoyed each other in this generic nursing home room where announcements on the speaker interrupted his sleep and the pulsing oxygen helped him to relax. He opened his eyes often to make sure I was still there. “Are you a dream?” “Hardly...you ate my bread pudding.” One last smile before his medication ended our day. I kissed him and said goodbye. He died on Thursday. The End Top Photo by: amanda lim/Unsplash.com FAYE GREEN grew up in Laurel, Maryland, and now resides in Milford, Delaware with her husband, Bill Byer. Her stories are set Maryland, Delaware, North Carolina—and Ireland. They feature the Chesapeake Bay, the beautiful Atlantic beaches, and the history of Ireland. After careers in the Prince Georges County (MD) School System and the Department of Defense, Ms. Green’s passion is writing and gardening. In the past eleven years, Faye Green has published seven books. THE HUNGRY PIPER(2019) received the 2016 Literary Fiction Award from The Writer’s Workshop, Ashville, North Carolina. CLOSE TO HOME, A Collection of Long and Short Stories, Memoirs, Poetry, and Recipes, will be available later this year. |
October 2023Bay to Ocean Journal Spotlight Writer |
Katherine Van Dewark The Secret of Bones So you can get to know me better Victor Top Photo by: christoph von gellhorn/Unsplash.com KATHERINE VAN DEWARK's poems have been published in Lummox Number Nine; Last Call, Chinaski!; Amarillo Bay; Dos Passos Review; Wild Violet; Quiddity; Qwerty No. 32; Sanskrit; Palos Verdes Library Anthologies 2017, 2018, 2020; Coracle; and Spectrum 26. She is a recent winner in the poetry portion of the 2022 Crossroads Poetry and MicroFiction contest. She lives in Southern California. |
September 2023Bay to Ocean Journal Spotlight Writers |
Emily Decker Reflections on a York River Oyster I. Top Photo by: ben stern/Unsplash.com EMILY DECKER is a former teacher and corporate communications director turned freelance writer and editor who lives in Baltimore, Maryland. A Virginia native raised in Ghana and then in Atlanta, Georgia, she holds a master’s degree in English Education from Georgia State University. Her most recent poetry has appeared in Yellow Arrow Journal, Full Bleed, and Hole in the Head Review. She is currently working on her first collection. | Alice Morris Riding With Bees The swarm is in a bag in the back of their station wagon. As her father drives, nine-year-old Stacy wonders how many people would willingly ride across town with thousands of bees in their car, windows rolled-up to muffle outside sounds, which helps keep the bees calm. Stacy thinks about the dangers of riding with bees––if the bag isn’t tied off tight enough, if the queen finds any hole, wanders out, every bee will follow––and attack. There could be collisions. Someone could die. Stacy looks at her red-faced father staring straight ahead, hands gripping the wheel. She knows not to speak to him. Knows he is tense. She needs a breath of fresh air; hopes he will soon crack his window. She doesn’t dare open hers first. From her beekeeping father, Stacy learned about bees as he used the tip of his putty knife to point out workers––drones––queen. With hive opened, she’d watched and learned about the cooperative, efficient, hard-working ways of bees, which she greatly admired. She knew if she could have one wish it would be for her father to run his own home like a colony of bees––instead, he was the long-clawed bear that ripped their hive apart. Stacy learned to keep her distance, except when it came to bees. Always she went along when he collected a swarm. Beforehand, she watched him prepare the new hive. At the swarm as her father puts on white overalls, veil, and gloves, Stacy tells terrified onlookers to keep voices low, stay back in the shade––tells them the bees don’t want to sting, but they will protect their queen! Purposely she doesn’t say that before swarming bees engorge on honey, so most are too doped-up to sting. By making her father look brave and heroic Stacey can earn a few precious days on his good side. All eyes on the beekeeper, her father brings out the smoker, gathers a handful of dry grass, gets a fire going inside the metal canister––first smoke seeping from nozzle. Pressing the bellows, he sends sweet-smelling smoke floating. Walking slowly towards the swarm, more smoke puffs as guard bees attack this invader. Just beneath the beautiful buzzing mass, Stacy’s father lays out a white sheet, evenly, flat. Ladder against tree he climbs, smokes the swarm, then gave the branch one fast snap. En masse the swarm drops to the sheet, lays two inches deep on a sea of white. Her father then gathers the four corners, shakes the bees toward a single opening, and as if they’ve become liquid he pours them into the waiting bag like water. With a piece of cardboard, he whisks away any bees clinging to his clothing, then scoops up clumps of strays, flicks them into the bag. Then the knot tied tight. Only when off the highway does her father crack his window, glance at Stacey, allow a smile. Stacey then cracks her window knowing she has earned a few safe days. Top Photo by: wolfgang hasselmann/Unsplash.com ALICE MORRIS, a Pushcart Prize and Best of the Net nominee was awarded the 2022 Delaware Division of the Arts Fellowship, Emerging Literature: Poetry. Her prize-winning prose and poetry appears in numerous anthologies and publications including Gargoyle, Broadkill Review, Rat’s Ass Review, Backbone Mountain Review, and Paterson Literary Review. She has attended Delaware Writer’s Retreats for poetry and nonfiction. Alice comes to writing with a background in art––Published in The New York Art Review. |
July 2023Bay to Ocean Journal Spotlight Writer |
Russell Reece Stolen In the fall of 1967 I was finally home after a difficult tour in Vietnam. But disconnecting hadn’t been easy. My mind often wandered back and gruesome images left me anxious and unsettled. Uncle Jack had offered me a weekend at the cabin on Bear Lake. “A good place to chill out,” he’d said, “shake off the willies.” I took him up on it. Before going to bed that first night I walked down the wooded lane and onto the road. The evening was cool and comfortable; starlight peeked through the trees. It occurred to me that for the first time in months I was out after dark and actually felt safe. I let that sink in as I walked along the pine-scented road, listening to the night sounds. Then I heard a siren; a few seconds later the roar of an engine. Ahead, at the bend, the tree-line lit up. Headlights jumped into view as a car slid through the turn and tilted over. Sparks flew and the mass of steel bounced and rolled toward me at high speed. I couldn’t lift my feet, wasn’t sure which way to go. In the frightening chaos of car-lights twirling and metal bashing, a pin-wheeling body flew into the air. I scrambled out of the way as the car brushed by, slid on its top and plowed into a tree. Dust particles and branches fell through upturned headlight beams, thumped onto the glass-covered road. I gathered myself and caught my breath. A police car rolled to a stop, siren winding down, red light flashing, headlights illuminating the silhouette of a twitching body. A police radio crackled as the door opened and a young cop got out, flashlight and pistol in hand. I froze at the sight of the gun. He momentarily trained his light on the man lying on the road then ran to the battered car. The flashlight beam moved over the front and back seats and the grass surrounding the crumpled heap. The cop holstered his pistol, hustled back. Breathing heavily, he stood over the guy for a moment then turned and retched into the grass. More sirens wailed in the distance. The cop glanced up, eyes widening as he spotted me. He fumbled for the pistol and pointed it at me, his drawn face and the weapon eerily highlighted by the flashing red light. I fell to my knees and raised my hands. His gun shook. “Don’t shoot,” I yelled. “How many others?” he yelled back. The sirens were closer. “Just me… I was out walking.” He stared for a few seconds then lowered the pistol and wiped his face. I slumped down on my hip, braced myself on the road and tried to settle my racing heart. “Hang in there, buddy,” the cop said to the man. “Ambulance is coming.” Still breathing heavily, he offered me his sweaty hand and helped me up. “It’s a stolen vehicle,” he said. “Don’t leave. I’ll need you as a witness.” Another trooper arrived; still more sirens on the way. In the haze of flashing red lights, I dusted myself off. The injured driver was on his back, eyes open, murmuring. His khaki shirt and head bloodied; his right arm and legs twisted grotesquely. A familiar sense of heaviness and gloom came over me. It was something I thought I’d left overseas, something I was done with forever. I sat down on the grass beyond the gravely shoulder and looked up through the trees, surprised for a moment stars were still there. Later that night, after I went to bed, images started coming. There were new ones now: the pin-wheeling man, the shaking gun, the sound of bashing metal as the car bounced and rolled toward me. I flinched each time it slid past. Fifty years later I still do. Top Photo by: jakob rosen/Unsplash.com RUSSELL REECE’s poems, stories and essays have appeared in a variety of journals and anthologies. Russ has received fellowships in literature from The Delaware Division of the Arts and the Virginia Center for the Creative Arts. He has received Best of the Net nominations, awards from the Delaware Press Association, the Faulkner-Wisdom competition and others. Russ lives in rural Sussex County near Bethel, Delaware on the beautiful Broad Creek. You can learn more at his website. |
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Caroline Kalfas An Egret and His Property During
my childhood, the marsh across the sound appeared impossible to reach
without a motorboat or the skills of a bird. But the land’s slick,
emerald blades waved for me to come and explore its exposed shores. I
wanted to wade in the channel waters and step over shells like its
resident white egret. The
measured distance grew more manageable in my young adult years. With
access to a bright red kayak, I answered the long-standing invitation
and paddled with strong strokes in the scorching sun from my sandbar to
the edge of the knee-high grass growing in the wetlands. I
expected a soft arrival and a glide upon the sand. But thick, mushy mud
stopped my boat at the habitat’s edge, and the majestic bird I had
hoped to befriend took flight at my landing. His outstretched, pleated
wings and dangling stick feet navigated toward the very dock from which I
had launched my vessel. I
have often thought I should not have encroached upon the stomping
grounds of the three-foot-tall bird without his permission. Innocent
invader that I was, he fled from me with suspicion. And in seeing that
we couldn’t share the verdant space, which I admired and he roamed, I
looked to end my trespass. Releasing
my boat from the sticky swamp sludge, sweat upon my forehead, muscles
stiff from my struggle with the oars, I retreated toward home across the
green, choppy saltwater. Sea spray slapped my reddened face. The afternoon wind rushed my ears. Rocking swells threatened me with seasickness. And
sure enough, my elusive friend the egret met my arrival. The aloof,
feathered ambassador paced among tidepools on the sand at the foot of my
cottage, which stood in the center of a row of ostentatious houses
along the waterfront. I saw from afloat what the exotic loner witnessed daily from his prime property across the way. The
line of dwellings were not nests hidden in the landscape. They were
monstrosities overgrown with cement driveways, tidy carpets of thirsty
Bermuda grass, and, at my house, a two-story oleander with green, pointy
leaves and enticing fuchsia blossoms swaying next to my rickety steps.
The flirty, toxic bush beckoned the elegant bird to wander closer. I made my way up the yard, giving my boat several strenuous tugs. The
sleek egret skipped through the air and landed a few cottages down on
the sandbar. He studied the nearby shallow water, and, as if using
chopsticks, captured a floppy minnow in his pointy yellow beak. The bird
swallowed the catch down his agile, thin neck, followed by a second
helping of fish plucked from the tide. The well-fed fowl shook his head
in satisfaction and paused as if in thought. Winning
my full attention, the bird uttered a series of throaty clucks that
sounded like the slap of a playing card against a child’s bicycle
spokes. And before lifting his wings and heading back to his place in
the marsh, the creature poked his threatening mouth in my direction and
released a raspy call. Witnessing
his frustration, I came to an unspoken understanding with the bird: I
will stay on my property so he can continue to live on his. top Photo by: David Clode/unsplash.com CAROLINE KALFAS writes from Woolwich Township, New Jersey. Her poetry and essays have appeared in various literary magazines including The Next Chapter, frogpond, Philadelphia Stories and several editions of Bay to Ocean. Most recently, she received third place (tie) in the ninth annual Golden Haiku Poetry Contest 2022 in Washington, DC. To read more about her work, visit carolinechatter.wordpress.com. | Ann Bracken Problems with Diving Sometimes she’s afraid to jump. No, not on the blacktop playground, where she’s mastered Double-Dutch and excelled at Chinese jump rope. That’s solid ground. No, she’s afraid of crashing on her head when she tries to hit the diving board, spring up in the air and slice through the water, arms and legs aligned in arrow-like perfection. She freezes the day her father puts his arm across the board, a tan, muscled lever, a foot up in the air for her to clear. Tears well in her eyes, messengers of her failure, then shame rocks her body as her baby brother executes the dive like a dolphin. Failing, failing in front of everyone at the pool that day. Yet in the woods with friends, she’s fearless. Standing atop a hill, grabbing the coiled metal ring on the end of a bristly rope, swinging out over the rocky gorge, she moves in time to an inner metronome—then lands on beat, dropping down on the only patch of grass. Years later, she freezes at the thought of stepping onto a stage. Seeking out the feel of success from her quarry-jumping days, she finds an extravagant mall that promises an indoor bungee jump. As if buoyed by an invisible parachute, she launches, unafraid. top Photo by: Jess Zoerb/unsplash.com ANN BRACKEN has published three poetry collections, The Altar of Innocence, No Barking in the Hallways: Poems from the Classroom and Once You’re Inside: Poetry Exploring Incarceration. Her memoir entitled Crash: A Memoir of Overmedication and Recovery, will be published in late 2022. She serves as a contributing editor for Little Patuxent Review, and co-facilitates the Wilde Readings Poetry Series in Columbia, Maryland. She volunteers as a correspondent for the Justice Arts Coalition, exchanging letters with incarcerated people to foster their use of the arts. Her poetry, essays, and interviews have appeared in numerous anthologies and journals, her work has been featured on Best American Poetry, and she’s been a guest on Grace Cavalieri’s The Poet and The Poem radio show. Her advocacy work promotes using the arts to foster paradigm change in the areas of emotional wellness, education, and prison abolition. Website: www.annbrackenauthor.com |